I'm excited to announce that i will be showing new paintings this fall in Oakland, my first hometown show in quite a while. The show will be at Fourth Wall Gallery, on 25th St in Uptown Oakland, and I'm honored to share the walls with Andrew Patterson and Sandy Ostrau. I'll be posting more details here soon. The exhibition will be up longer than usual, more like 6 weeks, which i love, September 15th to November 3rd, with an opening reception on Friday October 5th, 6-9 pm, and a closing reception on Friday November 2nd. I hope to see you there.
My friend Colin Frangos came by the studio this summer, and we ended up talking a bit, mostly about my figure paintings from the ongoing series "Garland of Hours". That and our shared passion for the works of Thomas Kinkade (peace be upon him)
I'm very excited to announce my first large solo show in some years, at the John Natsoulas Gallery in Davis, CA! I'll be showing about 30 paintings on the ground floor, most of them from the last couple years. Upstairs, on the second and third floors, will be concurrent solo show of works by English painter extraordinaire James Bland, and longtime Bay Area favorite, Sandy Ostrau! I'm honored to be showing my work in such lovely company, and hope I'll see you at the opening! Accompanying the exhibition will be a catalog, with an essay by John Seed, available through the gallery. I imagine i'll have some copies as well.
"Gage Opdenbrouw: Into the Moment"
John Natsoulas Gallery,
Show Runs September 27 to October 28, Opening reception Friday October 6th, 7-9 pm
email the gallery for more info at firstname.lastname@example.org
Oakland Studio #7, oil on panel, 12x12, 2017
I think the first painting I saw from this English painter was a moonlit interior, with a possibly sleep walking figure and a few cats. I thought it was absolutely magical. I have had the same feeling looking at his work so many times since then and am so excited that he'll be showing new works at the John Natsoulas Gallery concurrent with my solo show! His work shows a clear interest in the work of painters like Sickert, Euan Uglow, and Cezanne, but with a dreamy quality that stands in an interesting counterpoint to the analytical, observational impulse. Good stuff.